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Harold Bloom

226quotes

Harold Bloom: A Literary Luminary

Full Name and Common Aliases

Harold Bloom was a towering figure in the world of literary criticism. He was often referred to simply as "Bloom" by those familiar with his work, a testament to his prominence in the field.

Birth and Death Dates

Harold Bloom was born on July 11, 1930, and he passed away on October 14, 2019. His life spanned nearly nine decades, during which he profoundly influenced the study and appreciation of literature.

Nationality and Profession(s)

Harold Bloom was an American literary critic and professor. He spent much of his career as a Sterling Professor of Humanities at Yale University, where he became one of the most influential and controversial figures in literary studies.

Early Life and Background

Harold Bloom was born in the Bronx, New York City, to a family of Eastern European Jewish immigrants. His parents, who spoke Yiddish at home, instilled in him a love for language and literature from an early age. Bloom's precocious talent for reading was evident when he began devouring works of literature at a young age, quickly developing a deep appreciation for the English language and its literary canon.

Bloom attended the Bronx High School of Science, where his passion for literature continued to flourish. He went on to study at Cornell University, where he was mentored by the renowned critic M.H. Abrams. Bloom's academic journey continued at Yale University, where he earned his Ph.D. in 1955. His early exposure to diverse literary traditions and his rigorous academic training laid the foundation for his future career as a literary critic.

Major Accomplishments

Harold Bloom's career was marked by numerous accomplishments that solidified his reputation as a preeminent literary critic. He was a prolific writer, authoring over 40 books and editing hundreds of anthologies and critical editions. His work often focused on the Western literary canon, and he was a staunch defender of its enduring value.

One of Bloom's most significant contributions was his theory of the "anxiety of influence," which he introduced in his 1973 book of the same name. This theory posited that poets and writers are heavily influenced by their predecessors, and that this influence creates a sense of anxiety as they strive to create original work. This concept reshaped the way scholars and readers understood the dynamics of literary creation and influence.

Notable Works or Actions

Among Harold Bloom's many notable works, "The Anxiety of Influence" stands out as a seminal text in literary criticism. In this book, Bloom explored the complex relationships between writers and their literary forebears, offering a new lens through which to view the creative process.

Another significant work is "The Western Canon: The Books and School of the Ages," published in 1994. In this book, Bloom passionately defended the importance of the Western literary canon, arguing for the continued study and appreciation of works by authors such as Shakespeare, Dante, and Milton. His advocacy for the canon sparked debates about the role of tradition and diversity in literature, making it a touchstone for discussions on literary value.

Impact and Legacy

Harold Bloom's impact on the field of literary criticism is profound and enduring. His theories and ideas have shaped the way literature is studied and appreciated in academic circles and beyond. Bloom's insistence on the importance of the Western canon has sparked ongoing debates about the role of tradition and innovation in literature, ensuring that his work remains relevant in contemporary discussions.

Bloom's legacy is also evident in the countless students and scholars he mentored during his long tenure at Yale University. His passion for literature and his commitment to rigorous scholarship inspired generations of literary critics and academics.

Why They Are Widely Quoted or Remembered

Harold Bloom is widely quoted and remembered for his incisive insights into the nature of literature and its enduring power. His ability to articulate complex ideas in a compelling and accessible manner made his work appealing to both scholars and general readers. Bloom's quotes often capture the essence of his critical philosophy, emphasizing the transformative power of literature and the importance of engaging with the great works of the past.

Bloom's influence extends beyond the realm of academia; his ideas have permeated popular culture, and his works continue to be cited in discussions about literature, creativity, and the human experience. His legacy as a passionate advocate for the literary canon and a keen observer of the human condition ensures that Harold Bloom will be remembered as one of the most significant literary critics of the 20th and early 21st centuries.

Quotes by Harold Bloom

Harold Bloom's insights on:

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To read in the service of any ideology is not to read at all. The mind’s dialogue with itself is not primarily a social reality. All that the Western canon can bring one is the proper use of one’s own solitude.
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Imaginative literature is otherness, and as such alleviates loneliness.
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All of us are, as Mr. Stevens said, “condemned to be that inescapable animal, ourselves.
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But Hamlet is death’s ambassador while Falstaff is the embassy of life.
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American Religionists, when I questioned them, frequently said that falling in love was affirming again Christ’s love for each of them.
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I could not find any evidence that her circumstances had harmed Jane Austen’s work in the slightest. That, perhaps, was the chief miracle about it. Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. Her mind consumed all impediments.
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I don’t believe in myths of decline or myths of progress, even as regards the literary scene.
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You cannot locate Shakespeare in his own works, not even in the sonnets. It is in this near invisibility that encourages the zealots who believe that almost anyone wrote Shakespeare, except Shakespeare himself.
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Freud, slyly following Shakespeare, gave us our map of the mind; Kafka intimated to us that we could not hope to use it to save ourselves, even from ourselves.
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What is supposed to be the very essence of Judaism – which is the notion that it is by study that you make yourself a holy people – is nowhere present in Hebrew tradition before the end of the first or the beginning of the second century of the Common Era.
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